Your Pitch In Vocal Delivery

 

Imagine an opera singer in front of thousands of people who are just dying to hear the high-pitched melody she is famous for, only to hear her sing in falsetto. No matter how great she sounds, hundreds of people will storm off angrily because that is not what they expected to hear. Now, put yourself in the opera singer’s place, the only difference being that you are speaking instead of singing,  but it’s almost the same thing. Your pitch is basically how high or low your voice is, or how frequently you switch between the two.

What is the pitch?

Your pitch will determine if you are able to get your audience hooked from the beginning or if you’ll irritate them into leaving. It doesn’t matter if you are speaking at a zoom meeting or in front of a room full of people, you do not want to sound like you are on the verge of breaking all the windows around you with your voice. You want your pitch to be just right.

Using the right pitch is so easy that it doesn’t even need to be practiced. Your airways shouldn’t feel blocked and your throat shouldn’t feel itchy after just a few minutes. You should not strain to be heard. The right pitch is comfortable and feels like a part of you. The veins around your neck shouldn’t bulge and you definitely shouldn’t feel light-headed or out of breath. It is a speech, not a marathon race! The examples I gave above are only valid when you are sure that you do not have any underlying medical issue that prevents you from using the right pitch. For example, a cough or clogged nose might affect your vocal delivery, and that is understandable. What I am emphasizing here is those trying to force a pitch. It will never work!

Don’t fake it!

A fake pitch will always show its self. Imagine trying to hit Mariah Carey’s high pitch while singing, at some point you’ll run out of breath and start coughing. You might be able to pull it off for a few minutes but never for a long period of time. As a speaker, you want to find a pitch that feels comfortable for you. It should be as seamless as having a simple conversation. Adult males and females tend to have different pitch ranges because of the difference in their vocal folds and the sizes of their larynx. Female voices tend to be higher pitched and they have smaller vocal folds while it is the complete opposite for adult males. There are two factors to pitch in vocal delivery as far as speaking is concerned, and they are:

  1. Volume: When speaking as I explained above, you want to be sure that your voice is audible. You do not want your pitch too low, especially when you do not have the equipment to amplify it, or too high especially when you are in close proximity to the audience or have equipment that amplifies your voice.
  2. Expression: this is basically the meaning your pitch gives to certain words or statements and the emotions that can be derived from your pitch range such as anger, disinterest, and more.

Your pitch

Pitch range will vary from person to person. Your pitch should help convey different meanings such as surprise or to place emphasis on certain words and help differentiate a question from a statement. It is your pitch that helps you convey Irony or surprise and it can fluctuate severally (pitch c ) in your speech, sometimes even unconsciously. In general, there are four types of pitch changes and they are:

  1. Dipping Intonation: this is when your pitch falls, then rises when you speak. As in when you say; “How did you even do that?” You’ll note that your pitch falls when you say “how did you even…”, and then rises when you say “…do that?”
  2. Rising Intonation: this refers to a pitch that rises over time. It is commonly used when asking questions with yes/no answers, with statements of uncertainty, or expressing strong emotions like shock, anger, and joy. A rising pitch would also change a statement to a question. For example, “He did that.” becomes “He did that?”
  3. Falling Intonation: this is when your pitch continues to fall over time. It is most commonly used when commenting or making statements, asking Wh-questions, or expressing boredom.
  4. Peaking Intonation: this refers to a pitch that rises, then falls. For example, when offering someone a choice between two things, as in “this or that?” you would notice that the pitch falls on the last word. When you also call items off a list, your pitch tends to steadily rise, then falls on the last item.

Pitch Variety

Think of pitch variety as the little spices and herbs that give your recipes their unique taste. In your vocal delivery, pitch variety combined with the right tone gives your speech strength and value. It will no longer be a piece of writing on a sheet or few memorized words, it will come alive!

Pitch variety is something that scares a lot of speakers because they think too much about it and try to stick to the rules listed for the four pitch changes above, and that is the first mistake. Most times, we already know how to vary our pitch while speaking. The essence of the lesson above is to let you know that you shouldn’t sound surprised when you should be sounding bored, that is your pitch shouldn’t go high when it supposed to go low. It is that simple! A pitch relays a message, it isn’t just about making sure you are heard or making sure your voice is loud enough for those in the back, does your pitch convey the right message?

The opera singer doesn’t sing in one pitch throughout her performance, she varies her pitch, waving back and forth between different frequencies until she hits a climax. Sounding monotone while giving a speech kills your delivery, it doesn’t matter how strong your message is.

So next time you have a speech you want to deliver, don’t forget to add that spice, it might be just what you need to get that signature flavor.

 

Thelma Zambrano
she is member of Toastmasters Seville since September 2020

Sesiones de Julio

Las sesiones de Julio suelen ser las últimas en Toastmasters Sevilla. Este séptimo mes del año es un momento que preludia al que suele ser el mes de vacaciones por antonomasia: Agosto. Como es tradición, es durante ese mes de Agosto que las sesiones de nuestro club se detendrán. Pero las sesiones de Julio nos aportaron grandes momentos que aquí reunimos para voosotros.

1 de Julio

La primera sesión de la nueva temporada (las octava) de nuestro club contó con un toastmaster del día de excepción. Nuestro flamante presidente Antonio Quirós servía de maestro de ceremonias y lo hacía planteando algunos de los puntos claves de este nuevo periodo. Quizá el que mejor resume lo que expuso pasa por el lema #TodosContamos, así en forma de #hashtag. Este título fue el que tuvo el proyecto de vídeo coral que realizamos hace unos meses, como medida de ánimo durante el confinamiento debido a la Covid.

8 de Julio

O para ser más correctos, 8th of July, porque esa semana nuestra sesión de Julio fue en inglés. Nuestra compañera Teresa Rojo lideró con arrojo una sesión, en la que nos fue preguntando a todos qué planes teníamos para el inminente verano. Disfrutamos de la presencia de bastantes invitados. Aparte de nuestra nueva pareja internacional (Reino Unido y España) Gwen y Miguel conectados desde Cádiz y de Joao desde Portugal, tuvimos con nosotros a Carolina , hermana de nuestra querida Laura Mondéjar. Carolina fue un ejemplo de pronunciación y de amplitud de vocabulario en un inglés que domina a la perfección.

15 de Julio

En esta tercera sesión de Julio de Toastmasters Sevilla, tuvimos un discurso rompehielos de lo más especial. Un compañero toastmaster experimentado como es Paul Mora, concedió a nuestro club el honor de recibir su primer discurso en un nuevo Pathway que está empezando. En una sesión guiada por Javier Ceballos, que fue enlazando las diferentes partes del evento con su habitual soltura, contamos con más compañeros procedentes de México que acompañaron a Paul. Diana y Rosangela nos ofrecieron dos interesantes ejemplos de discursos improvisados. Estos fueron liderados por Antonio Romarís, que desde la lluviosa Santiago de Compostela se contactaba a la tórrida capital del Guadalquivir. Es lo bueno que tiene Toastmasters: un sentido de comunidad tanto a nivel de España como de otros países.

Y tuvimos una nueva sesión en Julio. Pero esa queda para un nuevo post.
¡Estad atentos a nuestros canales de comunicación!

Referencias vitales en discursos

Hay veces que una imagen, un libro o un programa de televisión, sin que sepamos muy bien la razón, nos marcan extraordinariamente. Estas referencias vitales afloran en el futuro y, en algunos casos, moldean nuestras decisiones. La sesión del pasado 11 de Septiembre, que se desarrolló en inglés, contuvo algunas de esas referencias vitales, que aparecieron en varios discursos.

Antes de ello, nuestra toastmaster de día, Marisa nos recibió a todos. Nos obsequió con su cuidado y fluido inglés y con la novedad de la ampliación del escenario para provecho de los oradores. Además, un magnifico rediseño de las agendas completó las novedades de la jornada.

20190911 - Marisa

El primer orador fue Chema que cubría un proyecto sobre Storytelling. Una historia, algo intrigante y con un inquietante final, fue su elección del día. El abierto final nos hace sugerir que algún día volveremos a oir hablar de sus protagonistas. ¿Será así?

Posteriormente, Rafael González tomó el escenario par hablar sobre mentorado, enlazando los principios básicos de esa actividad con una de sus referencias vitales: un programa de la televisión en blanco y negro.

Y fue también un producto televisivo, pero de las actuales plataformas digitales, la referencia vital de nuestra tercera oradora. Luna relacionó las habilidades de liderazgo, vinculadas a los pathways de Toastmasters, con las que se identifican en algunos personajes de la mafia, o al menos en su reflejo en la ficcion.

Tras la interesante y siempre enriquecedora evaluación de los discursos, pasamos a la parte de improvisados. Nuestro compañero Javier Salcedo que llegó monopatín en ristre 🙂 se estrenaba en la labor y lo hizo siguiendo el hilo de la actualidad. Eligió una serie de noticias del ámbito local, que fueron brillantemente comentadas por nuestros voluntarios.

Y tooodo esto que habéis visto en inglés. Cada cual con su nivel, por supuesto, pero podéis tener por seguro que fue un ejercicio útil y agradable para todos los participantes.

¿Quieres conocer un lugar en que puedes desarrollar tus habilidades para hablar en púbico? Acude a alguna próxima sesión de Toastmasters Sevilla.
Y, ¿te gustaría además hacerlo en Inglés? Pues elige nuestra sesión mensual en inglés. Mira nuestra Agenda y allí tendrás siempre la información actualizada.

Hoping to see you soon!

Capacity of resolution and ingenuity

Capacity of resolution and ingenuity could be the leitmotiv of last Toastmaster Seville session.

And this is, because the toastmaster of the day, Rafa Berjillos, in the absence of an evaluator for Chema’s speech, invited volunteers from the auditory to express their opinion about. It was an unprecedented and fruitful experience for all the participants, as this new way of evaluation. It also proved to be a very effective modality to learn ones from the others how to give effective evaluations.

Chemas’s speech was centred on the work of the former officer team of Toastmasters Seville. He focused specially on Penelope and Isabelle, recognizing their implication, and merit for having taken the club to the level where it is today.

The Table Topic section was headed by Elena Tolmos , who with her usual elegance and sense of humour,invited some participants to get the scene. They all exercised their capacity to give impromptu speech, on some very simple but original themes.

Grammarian role was assumed by Javier whom feedback was very clear, accurate and coherent about the use of English. His feedback was followed by Pablo’s, who took up the role of Body Language evaluator. His delivery impressed us by the meticulousness of his observations, and also by his spontaneity in expressing with his body when English words were not present in his vocabulary. This is an example that, in Toastmasters, it doesn’t matter if you are not fluent in English. Everybody is there to learn and perfect their communication skills. Andri took the role of time controler, very important since participants have to respect a specific segment of time when delivering a speech. The session was closed by Monalisa’s general evaluation, outstanding all the points expressed here up.

A very rich session where the desire to learn and improve communication skills was together with the ingenuity. Just add some sense of humour and good vibes of the participants and you get the final result.

Congratulations to everybody. We wait for you at our next session.